"[James] composed a soundscape that’s as hypnotic as the visuals. Her music doesn’t just sit underneath the images - it emphasizes the energy behind them. Sometimes that means the music is low and meditative, like a lullaby. Sometimes it means that the music is sharp and percussive, mimicking how the refinery feels like a living, throbbing organism. At times, I wasn’t sure whether I was hearing the site itself or a manipulated version of it. The effect is otherworldly." - New Jersey Stage